
JUMP Media and
Purple Patch present UK greats- Toploader! Indie Pop Rock at it's finest!
Date: Friday, May 28th 2010
Venue: Tanz Cafe
Cnr River Road and Bryanston Dr
Riverside Mews
Johannesburg
Tickets: 300 ZAR including reserved dinner or 150 ZAR show only
Doors open: 7pm onwards
Supported by Dan Patlansky
For bookings and tickets:
e:
grant@tanzcafe.co.za
t: 011 463 3128
m: 082 855 5445
Strictly Over 21s only
About Toploader:
The first chapter in Toploader's history was extraordinary and helped them to
reach dizzying heights. So, it seems the irrepressible forces of nature have
brought the "Loader" back together again to finish what they started.
Formed in 1997, a bunch of young Eastbourne musicians swiftly rose from the
ranks of the unknown to become one of Britain's biggest selling bands.
"The thing about our home town, Eastbourne is you've got the sea and the
downs and countryside so the chilled factor is quite high," says
singer-keyboardist Joseph Washbourn, "So a lot of the lyrics are kind of
coming from that perspective, either escapism or looking out to somewhere
else.”
Local gigs saw them and their reputation develop at an exponential rate. The
conspicuously curly mopped was the songwriter and the voice. Accomplished as a
keyboardist, having been taught since the age of 7, there was plenty of soul in
his vocal that came to the fore as well and made him the ideal frontman. He
even had a suitable family history; an elder brother who passed his Zeppelin
records Joe’s way and a mum who used to hang out with David Bowie when he was
still a south London saxophonist called David Jones.
Even at their early gigs, they were always a safe bet for festival and stadium
stardom. They had scale and confidence to spare and in 1998 Sony's S2 signed
them without a second thought. Paul Weller saw them play and asked the band to
support him on his 1999 tour, where they sometimes followed Noel Gallagher.
Their limited edition introductory single 'Achilles Heel' came out in May 1999
leading to an early appearance on TFI Friday. They took that momentum and
toured incessantly. Playing at benefit shows in Kosovo alongside Travis and
Stereophonics, blazing through festival shows at Glastonbury and Reading and,
soon enough, grazing the top 40 with their accompanying single 'Let The People
Know'.
Garnering even more converts to their cause, the legendary L.A. producer George
Drakoulias came in to produce the top 20 party anthem 'Dancing In The
Moonlight'. This was the band’s smash hit and remained in the charts for a
month when it came out in February 2000.
A full release for the epic 'Achilles Heel' then went to number 8 confirming
Toploader as crossover stars. They recorded for Top Of The Pops alongside Oasis
and personal favourites The Charlatans. The May release of their debut album
saw reality trumping even their own innate optimism when 'Onka's Big Moka' went
to number 5 and notched up Gold status after just two weeks.
By summer 2000, everyone was singing to their tune. Further gigs with Paul
Weller at The Royal Albert Hall and their own slots at European festivals
(including blissful Glastonbury and T in the Park appearances), all Joseph had to
do was point the microphone at the masses and conduct. Even the half a million
people about to witness Toploader on their 30 day Euro tour with Bon Jovi
(including 2 shows at Wembley Stadium making them the last Brit band to play
before the re-build) couldn't ignore their presence. There was something
special, natural, and meant to be.
The release of their debut album saw their optimism realised when 'Onka's Big
Moka' went to number 5 and notched up Gold status after just two weeks. Their
second album, Magic Hotel followed, hitting number 3 in the UK chart and
providing the band with another huge hit single in ‘Time Of My Life’. They
toured the UK for what seemed like a year!
About Dan
Patlansky:
What Dan Patlansky
can do with a six-string Fender Stratocaster at the age of 26, most critically
acclaimed guitarists will never quite achieve in a lifetime.
In only ten years on the music scene, Dan Patlansky is one of the busiest and
most respected blues artists to ever come out of South Africa. Constant touring
as a teenager, won Dan the hearts of even the most hardened blues critics. In
the winter of 2001, “Standing at the Station” was released, being a completely
independent album, many were surprised at its amazing success.
After receiving word that “Readers Choice” had voted him “Best Blues Guitarist
in Southern Africa”, it was time for a second release. “True Blues” was
produced and released by EMI on the famed “Blue Note label” in 2004. Dan is one
of the only South Africans to ever achieve “Blue Note” status.
In February 2005 and again in July 2006, Selwyn Miller, New Orleans based
manager of David Gates and Bread, Randy Crawford, and Petula Clark amongst
others, brought Dan to New Orleans to showcase this amazing talent. In his time
living in the city of the Blues, Patlansky performed at legendry venues (Maple
Leaf, Rock & Bowl and Checkpoint Charlie) with many Blues giants such as
Henry Gray (Howlin’ Wolf’s Pianist), Snooks Eaglin, The Batiste Family, Rockin
Dopsie Jr and many more. Whilst abroad, Dan performed live on both television
and WWOZ radio.
What this South African boy achieved in a few months, and the following he
built up, many thought would have taken years. Touring was cut short due to
Hurricane Katrina and he was deprived of the opportunity to play with legendary
and world renowned slide guitarist, Sonny Landreth, which performance was
scheduled to take place a week after Dan and Selwyn were forced to evacuate New
Orleans.
Patlansky moved back to his home country leaving a lot of equipment behind. Dan
is still in contact with Grammy award winning producer, David Z, with whom he
spent two days writing and arranging on his first trip to New Orleans.
Fender recognised Dan’s fiery playing and offered him an endorsement deal to
promote Fender Guitars and amps. Dan is one of only six Fender endorsed
guitarists in South Africa.
Dan has played, and more often than not headlined every major venue and music
festival in the South Africa eg Oppikoppi, Aardklop (with Arno Carstens’
guitarist Albert Frost), The Durban International Blues Festival (where he
performed with veteran New York blues guitarist, Phillip Walker and Pat
Savage), The North Sea Jazz Festival (CT), Southern Cross, the Walking the
Blues Concert, White Mountain Festival, Up the Creek Festival, Cape Town Blues
Summit, Splashy Fen, The Catalina Theatre (Durban) and the Sand du Plessis
Theatre in Bloemfontein, BMW Pavilion, Green Dolphin, Die Boer (CT), Blues Room
and Tanz Café (Jhb) and many more. Dan continues to extensively tour small
towns to big cities. Europe, UK and Australia are on the cards for 2008/2009.
In 2004 Dan was invited to perform at the Standard Bank Joy of Jazz Concert,
headlined by Earl Klugh and Lee Ritenoir, but had to decline due to prior tour
commitments.
At the One World Music Festival (Durban) in 2005 he performed with the renowned
New Orleans Batiste family band and shared the stage with the likes of Bob
Marley’s son Julian Marley, and past American Idols winner Ruben Studdard. The
concert was attended by the President of Parliament of the State of Louisiana.
He was so blown away by Patlansky’s performance that he promised him the
freedom of New Orleans when next he was there. Unfortunately Hurricane Katrina
deprived Dan of this honour.
In 2005 Dan performed in Dubai at the annual Coca Cola Company celebration,
along with UB40 and Shaggy.
In 2006 Dan Patlansky performed with his New Orleans band at the Cape Town
International Jazz Fest sharing top billing with Jose Feliciano, Miriam Makeba,
Lou Vega and Freddie Coleman.
Dan collaborated with top R&B artist RJ Benjamin on one of the tracks of
RJ’s recently released and highly acclaimed album “Swimming in the soul of
music”, one critic stating that the collaboration took the album to another
level.
Dan was one of the headline acts with Hugh Masakela and Freshlyground at the
newly established international Bushfire Concert in Swaziland in 2007.
Similarly he performed at the first Johannesburg Guitar Festival with the likes
of Greg Georgiades, Jethro Butow, the headline acts being Dan, followed by
Mauritz Lotz.
Earlier this year Dan played at the Old Mutual Jazz and Blues Roots concert at
Emmerentia Botanical Gardens, with international artist Michelle Shocked and
Dan, as the two headline and concluding acts.
Dan has recently returned from Mozambique where he headlined the annual STRAB
(Subterranean Rhythm and Blues) Festival. His performance was voted best by far
in voting polls. Shortly thereafter, he headlined the Tribute to Jimi Hendrix
show at Café Barcelona in Pretoria, which included performances by, amongst
others, Jan Blohm, Albert Frost and Mel Botes.
Dan has also been approached by Danny K to collaborate with him on a song to be
recorded by top South African performers in the fight against crime.
Dan over the years, has shared the stage many times with legendry blues artists
and guitarists such as Larry Amos, Julian Laxton, Steve Fataar (ex Beach Boys /
Flames), Cedric Sampson, Valiant Swart, The Late big voice Jack (who performed
with Mango Groove and the Dave Mathews Band) and Alistair Coakley. Dan recently
performed at The Catalina Theatre in Durban with Vicki Sampson.
Dan has been played and/or play listed by many South African DJs and stations
such as 5FM, East Coast radio, SAFM Radio 2000, O FM, Bush Radio, countless
student stations and Radio To-day (Benjy Mudie, Rafe Levine, Phil Wright, Chris
Prior, David Blood, Leon Economedes).
This young blues guitarist has now released his third album “Real” which
showcases his song-writing abilities using an earthy live blues sound with his
own take on it. “Real” has attracted great reviews and articles in most
acclaimed magazines.
His album “Real” is played in Australia on 101 FM and in America on WWOZ FM New
Orleans on which Dan played live and on which he has been play listed since
2005.
“Real” and Patlansky received a brilliant review in the May / June 2008 edition
(Issue 43) of top Blues Magazine, Blues Matters!, which circulates throughout
the UK, Europe, Canada and Australia. Out of approximately 150 CD Reviews of
Albums by UK, European, Canadian, Australian and American artists, accredited
critic, Merv Osborne had this, amongst other things, to say about “Real” and
Patlansky:
“I don’t think I’m going to hear a better album all year. ..... It’s gonna have
to be a truly superb CD to better this one” (full text on Dan’s web site).
“Real” is also about to be reviewed by top UK music journalist Rhys Williams
for intended publication in other UK magazines and some top American Blues Magazines